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Artifact: Under Pressure

Artifact: Under Pressure

Artists come to 91勛圖厙’s Flying Horse Editions for serious printing power.

Fall 2016

Lurking in the corner at 91勛圖厙���s printmaking studio is a hulking hydraulic press that seems more at home in a gritty factory. In fact, it could easily be mistaken for a sculpture among the fine art that adorns the austere, white-walled workspace. But the industrial machine is an important ��� and highly sought-after ��� tool for the rotating roster of international artists who come to the collaborative research workshop in downtown Orlando.

���It���s really been an asset that adds to the capabilities of the studio because it can be used to make complex relief prints,��� says Theo Lotz, director of Flying Horse Editions, a nonprofit publisher of limited-edition prints, books and objects by renowned artists. ���As a research center, we want to expand the creative possibilities for our visiting artists, and they always seem to find some new way of using it.���


Here’s what makes the press special:

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PRECISE POWER

Traditional presses, which use a traveling bed to apply a single color of ink, can be difficult to control and can create a blurry image with some kinds of printing processes. This press applies pressure straight down, enabling a more precise print with several blocks in multiple colors. ���It can be a very fast and liberating way for an artist to work,��� Lotz says.


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CRUSHING IT

The press uses a 90-gallon hydraulic system to create up to 300 tons of force through a single massive plunger. Lotz found the machine through a heavy machinery sales broker in Los Angeles. ���It must have turned heads on the back of the flatbed truck on I-10,��� he says. ���Then two huge forklifts picked it up off the truck and brought it into the studio. It was an amazing dance of heavy machinery.���


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CUSTOM CONTROLS��

Because the fine art printing process requires greater fine-tuning than the machine was originally designed for, Siemens offered to ���trick out��� the controls and donated a sophisticated electronic system valued at around $15,000. ���We can set it so precisely now that we can print something onto an egg,��� Lotz says.


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LOW-TECH SOLUTIONS��

The high-tech control system still employs a few key analog components, including an old-school pressure gauge and a measurement device that uses a delicate wire to help set the distance between the press and the paper. ���This hydraulic press is really a very simple machine,��� Lotz says. ���I was told that it was used to make metal light fixtures.���


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CREATIVE OPTIONS��

Artists typically use a woodcut, which can be created by hand or with a laser cutter, to hold the ink to create a print. However, some artists have been inspired by the machine���s crushing capabilities and are using nontraditional materials, including Rolex watches. ���Since this isn���t a familiar piece of art-making equipment, artists are intrigued with what they can do with it,��� Lotz says.